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Samuel Ricke

Requiem in D Minor, K. 626, III. Sequentia: Confutatis By W. A. Mozart

Samuel Ricke

2:27	Est. Play Time
40	Measures
	1,430Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	30	1	15	4	100%
Violino II.	25	1	14	4	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	30	1	15	4	100%
Violino II.	25	1	14	4	100%
Violoncello, Basso ed Organo.	33	0	12	4	86%
Viola.	25	0	14	4	80%
Fagotti.	22	15	11	7	78%
Alto.	13	0	5	5	77%
Soprano.	14	0	4	4	77%
Organ	31	22	15	6	76%
Trombone alto ed tenore.	16	0	8	7	76%
Trombone basso.	18	0	5	5	76%
Basso.	19	0	6	6	71%
Corni di Bassetto in F.	13	9	5	3	69%
Tenore.	17	0	8	7	68%
Trombe in D.	6	4	0	1	53%
Timpani in D.A.	4	0	0	1	51%

Fugue in E Minor, BWV 914, By Johann Sebastian Bach

Samuel Ricke

2:50	Est. Play Time
72	Measures
	1,430Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		33	3	13	5	92%
		27	1	9	5	74%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		33	3	13	5	92%
		27	1	9	5	74%

Mozart: Symphony No. 40 in G Minor, K. 550: III. "Allegretto"

Samuel Ricke

4:41	Est. Play Time
88	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi.	22	19	7	4	79%
	22	23	7	4	86%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi.	22	19	7	4	79%
	22	23	7	4	86%
Flauto.	22	0	8	3	79%
Fagotti.	26	16	11	4	78%
Violino I.	22	0	7	4	75%
Contrabasso.	23	0	8	4	73%
Violoncello.	23	0	8	4	73%
Violino II.	26	2	7	4	73%
Viola.	20	3	6	3	67%
Clarinetti in B.	21	11	7	4	65%
Corni in G.	10	12	0	4	52%

Requiem in D Minor, K. 626, VII. Agnus Dei By W. A. Mozart

Samuel Ricke

2:56	Est. Play Time
51	Measures
	1,046Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso	18	0	6	3	94%
Violino I	29	2	10	6	94%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso	18	0	6	3	94%
Violino I	29	2	10	6	94%
Violoncello	18	0	6	3	94%
Viola	17	8	6	4	92%
Violino II	30	2	11	5	92%
Soprano	16	0	4	4	88%
Alto	14	0	5	4	84%
Basso	18	0	6	4	84%
Tenore	15	0	5	4	84%
Corni di Bassetto	20	0	6	6	73%
Fagotti	25	8	9	4	71%
Organo	20	32	9	4	69%
	16	2	6	3	69%
Trombone Alto	8	0	3	3	53%
Trombone Basso	13	0	5	3	53%
Trombone tenore	8	0	2	3	53%
Trombe in D	5	2	0	4	17%
Timpani in D, A	2	0	0	4	14%

Fantasia and Fugue in C Minor, BWV 537 By Johann Sebastian Bach

Samuel Ricke

7:13	Est. Play Time
179	Measures
	1,237Kb

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	30	13	9	97%
	28	11	9	84%
	23	8	7	72%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	30	13	9	97%
	28	11	9	84%
	23	8	7	72%

Requiem in D Minor, K. 626, IV. Offertorium: Domine Jesu By W. A. Mozart

Samuel Ricke

3:42	Est. Play Time
78	Measures
	2,990Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	26	0	9	6	100%
Violino I.	31	0	11	8	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	26	0	9	6	100%
Violino I.	31	0	11	8	100%
Violino II.	30	0	11	7	100%
Organ	49	131	20	7	95%
Tenore.	18	0	7	7	94%
Violoncello, Basso ed Organo.	42	0	17	6	91%
Alto.	18	0	7	8	91%
Soprano.	21	0	8	8	85%
Basso.	20	0	7	7	79%
Fagotti.	29	1	11	6	68%
Corni di Bassetto in F.	21	0	8	7	60%
Trombone II.	16	0	6	6	59%
Trombone I.	16	0	6	7	54%
Trombone III.	18	0	6	6	47%

Requiem in D Minor, K. 626, IV. Offertorium: Hostias By W. A. Mozart

Samuel Ricke

4:38	Est. Play Time
89	Measures
	2,227Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	32	0	15	7	100%
Violino II.	30	0	13	5	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	32	0	15	7	100%
Violino II.	30	0	13	5	100%
Organo	48	124	22	8	99%
Violoncello, Basso ed Organo.	42	0	19	5	99%
Viola.	23	0	10	6	99%
Tenore.	14	0	5	8	92%
Alto.	15	0	7	8	90%
Basso.	22	0	9	8	89%
Soprano.	18	0	7	8	87%
Fagotti.	29	1	11	8	79%
Corni di Bassetto in F.	21	0	9	8	71%
Trombone II.	13	0	4	6	34%
Trombone I.	15	0	6	7	31%
Trombone III.	17	0	6	6	30%

J.S. Bach: Matthäus-Passion, BWV 244: I. Chorus - Kommt ihr Töchter helft mir klagen

Samuel Ricke

10:51	Est. Play Time
90	Measures
	7,150Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	9	0	0	4	28%
	9	0	0	4	28%
View all 35 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	9	0	0	4	28%
	9	0	0	4	28%
	20	0	6	4	82%
	25	0	9	4	100%
Fagotto.	20	0	6	4	82%
	25	0	9	4	100%
Violoncello.	20	0	6	4	82%
	25	0	9	4	100%
Violino I.	28	0	10	5	100%
	28	0	10	5	81%
Flauto traverso II.	28	0	10	7	100%
	26	0	10	6	80%
Oboe II.	24	0	9	6	100%
	23	0	8	6	80%
Viola.	21	0	5	6	80%
	23	0	7	5	100%
Violino II.	27	0	9	6	100%
	25	0	8	6	80%
Organo	23	67	8	5	100%
Violone.	25	0	9	4	100%
Oboe I.	22	0	8	5	99%
	23	0	9	6	81%
Flauto traverso I.	24	0	9	7	99%
	22	0	9	6	79%
Organo.	23	63	8	5	82%
Violone	20	0	6	4	82%
Alto.	15	0	6	5	43%
	18	0	6	6	69%
Tenore.	19	0	6	6	69%
	16	0	4	4	43%
Soprano.	16	0	5	6	68%
	15	0	4	5	46%
Basso.	23	0	8	6	66%
	16	0	4	5	43%
Soprano ripieno.	9	0	0	5	28%

Mozart: Great Mass "Große Messe" in C Minor, K. 427: I. Kyrie

Samuel Ricke

6:48	Est. Play Time
94	Measures
	2,544Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	46	144	19	7	98%
Viola.	25	5	10	8	98%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	46	144	19	7	98%
Viola.	25	5	10	8	98%
Violino I.	30	4	12	7	98%
Violino II.	27	4	10	8	98%
Violoncello, Basso ed Organo.	36	0	14	7	89%
Fagotti.	24	9	9	8	73%
Soprano.	18	0	6	6	66%
Oboi.	24	6	9	7	61%
Alto.	17	0	6	8	59%
Tenore.	18	0	6	8	52%
Basso.	19	0	7	8	50%
Trombone I.	14	0	4	7	41%
Soprano Solo.	22	0	7	12	40%
Trombone II.	18	0	6	6	36%
Corni in C.	6	5	1	6	30%
Trombone III.	17	0	5	6	24%
Trombe in C.	5	4	0	6	19%
Timpani in C.G.	2	0	0	6	14%

Mozart: Symphony No. 39 in E♭ Major, K. 543: II. "Andante con moto"

Samuel Ricke

18:36	Est. Play Time
161	Measures
	2,004Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	24	0	9	7	95%
Violino II.	24	12	10	9	93%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	24	0	9	7	95%
Violino II.	24	12	10	9	93%
Viola.	24	8	8	8	92%
Violino I.	32	2	17	11	89%
Basso.	24	0	9	6	76%
Fagotti.	23	34	9	8	59%
Clarinetti in B.	26	45	8	8	58%
Corni in Es.	11	8	1	5	50%
Flauto.	22	0	9	7	41%

Mozart: Symphony No. 40 in G Minor, K. 550: II. "Andante"

Samuel Ricke

12:38	Est. Play Time
125	Measures
	2,312Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	26	0	10	6	98%
Violino II.	29	4	11	8	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	26	0	10	6	98%
Violino II.	29	4	11	8	97%
Violino I.	34	1	15	8	96%
Contrabasso.	25	0	10	5	90%
Violoncello.	26	0	10	5	90%
Fagotti.	25	25	9	7	57%
Clarinetti in B.	26	29	9	7	53%
Oboi.	23	26	10	5	35%
	23	34	11	7	52%
Corni in Es.	11	10	2	5	48%
Flauto.	19	0	9	7	47%

J.S. Bach Organ: Toccata and Fugue in D Minor "The Dorian", BWV 538

Samuel Ricke

15:12	Est. Play Time
321	Measures
	2,312Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	26	2	9	8	94%
	23	2	6	8	61%
	39	1	13	8	93%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	26	2	9	8	94%
	23	2	6	8	61%
	39	1	13	8	93%

Mozart: Symphony No. 40 in G Minor, K. 550: IV. "Allegro Assai"

Samuel Ricke

9:04	Est. Play Time
312	Measures
	3,861Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	35	13	19	9	94%
Viola.	28	0	15	7	93%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	35	13	19	9	94%
Viola.	28	0	15	7	93%
Violino II.	32	21	15	6	91%
Violoncello.	29	0	15	6	85%
Contrabasso.	27	0	15	6	83%
Fagotti.	30	55	18	6	80%
Oboi.	25	58	16	6	69%
	26	60	17	7	79%
Clarinetti in B.	24	52	9	7	77%
Flauto.	25	0	15	6	69%
Corno in B.	8	0	0	6	48%
Corno in G.	7	0	0	4	40%

Mozart: Symphony No. 39 in E♭ Major, K. 543: IV. Finale "Allegro"

Samuel Ricke

8:06	Est. Play Time
266	Measures
	3,616Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	33	5	16	7	99%
Violino II.	31	19	13	5	96%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	33	5	16	7	99%
Violino II.	31	19	13	5	96%
Violoncello.	27	0	10	4	82%
Fagotti.	33	52	16	5	81%
Viola.	27	19	12	5	78%
Clarinetti in B.	24	48	7	5	77%
Basso.	27	0	10	4	76%
Flauto.	25	0	11	5	73%
Corni in Es.	13	20	3	5	71%
Trombe in Es.	7	8	0	5	50%
Timpani in Es.B.	2	0	0	4	42%

Mozart: Symphony No. 39 in E♭ Major, K. 543: I. "Adagio - Allegro"

Samuel Ricke

13:27	Est. Play Time
309	Measures
	4,497Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.	28	0	11	7	94%
Violino I.	33	23	13	9	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.	28	0	11	7	94%
Violino I.	33	23	13	9	92%
Violoncello.	28	0	11	7	92%
Violino II.	33	29	13	9	88%
Viola.	30	27	11	8	86%
Clarinetti in B.	28	72	10	9	77%
Fagotti.	27	51	9	8	73%
Flauto.	26	0	10	9	68%
Corni in Es.	10	16	0	9	68%
Trombe in Es.	9	14	0	8	58%
Timpani in Es. B.	2	0	0	7	41%

Michael Haydn: II. Dies Irae - Requiem in C Moll (pro defuncto Archiepiscopo Sigismundo), MH 155

Samuel Ricke

11:37	Est. Play Time
291	Measures
	6,237Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi ed Organo.	33	0	12	7	100%
Contrabasses	27	0	9	7	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi ed Organo.	33	0	12	7	100%
Contrabasses	27	0	9	7	100%
Fagotti.	27	0	9	7	100%
Violino II.	29	0	11	9	100%
Violino I.	30	2	13	10	99%
Organo.	23	153	9	6	98%
	27	0	9	7	98%
Soprano.	18	0	7	8	69%
Alto.	16	0	6	8	69%
Tenore.	18	0	7	8	68%
Basso.	21	0	9	7	64%
Trombone I.	16	0	6	7	51%
Trombone II.	16	0	5	7	50%
Trombone III.	19	0	7	7	49%
Clarini in C.	8	9	2	7	34%
Trombe in C.	3	2	0	5	24%
Timpani in C.G.	2	0	0	5	21%